“Art to me is an adventure in which I attempt to unearth the darker realm of consciousness with irony and the absurd.” – Allen M. Hart (1925-2014)
Allen M. Hart explored the physical and metaphysical world for nearly nine decades and has an incredible art historical account to show for it. Born in 1925 in New York City, Hart studied at the prestigious Art Students League from 1940 to 1948 studying with influential and renowned artist-teachers Frank Vincent DuMond, Anne Goldthwaite, and Jean Liberte. In 1944, Hart was included in a group show at Gallery Neuf on East 79th street and met Peggy Guggenheim, who became interested in his paintings. In 1948 Hart made his first sojourn to Mexico where he connected with the artists Ignacio Aguerre, Pablo O’Higgins, Frida Kahlo, Mendez, and Siqueros; became member of the Talle Graphicos in Mexico City; and had a solo show in 1950 at the Museum of Michoacan in Morelia. Reflecting on his experiences submersed in Mexican Modernist culture, Allen said he felt at home there and had a deep respect and admiration for indigenous people. Additionally, the politically left leaning artistic community of Mexico City had a long lasting influence on Hart’s work, which is in part, fueled by socially engaged themes and poignant Humanist metaphors.
After meeting his wife Mildred in 1952 at his solo show at the Roosevelt House on East 65th Street, the couple traveled extensively. They settled in Spain and traveled throughout Europe and North Africa. When they moved back to New York, Hart became the director of the Visual Arts Center (Greenwich Village), where he administered the Children’s Aid Society program for 30 years (1969 to 1999).