Rhino Horn: A Lineage to Humanist Figurative Art

Had the Rhino Horn group continued on what artists would have been a likely fit? That is a question that I have asked each of the Rhino Horn group founders, and that we’ve often discussed when speaking about their contemporaries. The criteria for being in Rhino Horn was vague, and stylistically, while the majority of the work was Expressionism, there were notable exceptions (the realism of Bowman and the existential surrealism of Fauerbach). The artists were more focused on bypassing the commercially driven art scene and achieving complete artistic freedom for their work to be experienced as they intended.

Being a small group, it became a fairly big challenge for all of the members to agree on adding new ones. They ultimately agreed to enlist Leonel Gongora, Bill Barrell, Joseph Kurhajec, June Leaf, and Isser Aronovici. Some other artists who have been mentioned by the former members were Irving Kriesberg, Christopher Lane, Emilio Cruz, Pinchas Burstein (known later as Maryan S. Maryan), and Philip Sherrod. These artists were either discussed and ultimately not chosen, or they turned down the offer to exhibit with the group. Regardless, the aforementioned artists were supporters and friends of the Rhino Horn group, and are also considered seminal parts of the Humanist movement.

This question was one of the inspirations for the series of recent posts featuring contemporary figurative painters and sculptors with a Humanist element in their work (See Connecting Figures: Part 1, Part 2, and Part 3). I am constantly looking at the work of a wide variety of artists whose work adds to the lineage and visual vocabulary of the expressionists in the Rhino Horn group as well as other maverick groups like No! Art, and The Hairy Who. Every contemporary artist who has been featured on this blog could arguably make sense in the context of these earlier groups.

The intent is that this blog will be a subjective and ongoing survey on Humanist and figurative art from the era of Rhino Horn through today. I’ve found these artists that I have featured through a variety of sources (going to MFA open studios, gallery hopping, the internet, and word of mouth). Therefore, I am incredibly open to suggestions by artists, curators, and art historians. Feel free to comment or email me with any suggestions or links to work. If you’d like to see who has been featured, please read the three aforementioned posts as well as the following: Q+A With Jason A Maas, Reclaiming the Racist Flag (John Sims and Sonya Clark), and Dialogue with Joshua Peters.  Stay tuned for many more upcoming interviews and features of today’s artists who expand the discourse that Rhino Horn and earlier groups presented.


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